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“Ai yai yai”- and alliteration… You know when you hear a song that a rappers done and your like damn- All I have to do is rhyme the last word that I say to the beat and it’ll sound like what these guys are doing. Thus the excessive lack of talent we see running around and blaring out of ClearChannel outlets. To this end I felt like bringing together two very difficult rhyme-schemes would serve me and this beat by Al Love the best. I love all of the imagery that came out here but a couple that stood out to me come from the beginning and chorus, “Outta the darkness carving reality into the margin, I started to burn the parchment imparting my starving artist-“ and also “steady my pulse baby then I squeeze don’t pull”. See what you can pull out of this song it’s so much bigger than just a song of bragadocious intent.

lyrics

Verse 1
Outta the darkness carving reality into the margin I/ started to burn the parchment imparting my starving/ I’m bargaining with a starship a genie aladdins carpet/ I’s dotted T’s crossing an all of the M’s arching/ Eye’s honest and they targeting hearts behind the cardigan I’m/ the sea parter seeing farther up on the garter I/ yai yai baby me oh my rhyme pineapple lime mai-tai’s/ thats healing like Cedar Cynai Yai/ Grind time is all the time I work for my yai yine/ I told em all before they doubt the highflying I/ I’m always down for goodtimes I’m dy-no-mite/ I’m a holler for a second promise I wont bite/ the high and mighty taken lightly like some cyanide/ I’m climbing the vine into the sky and finding the giants wife I/ I’m on my ninth life so watch me die yai yai / I’m on my ninth life baby watch me die yai you

Chorus
2x
You can keep the flash cash fly girls and their big ole ass/ don’t even ask for that no!/ I want the habitat where it happens at and if an ass that’s fat happens than that’s that so/ snake I throw the game I choke/ never aim high so/ the shots never graze by YO/ steady my pulse baby then I squeeze don’t pull/ steady my pulse baby then I squeeze don’t pull

Verse 2
Is it the quality or quantity, querulous, and the quandries seem, quarried in the oddysee war is within the god in me/ tortured as he fathered me/ orphaned but not forgotten me / poor but then a prodigy pushing beyond the probably/ pissing upon ya prophecy/ spitting sans the pardon me/ sentimental and sorry she sent a simple apology/ and admitted atrocities/ ashes answers and atrophie/ add an animality/ asphyxiated avatars/ clans of cannibal crack fiends/ crippled criminal convicts/ chipper winning the cash three/ commence to coughing a comet/ chilling choking and lastly/ live a little and love it/ level upping and lucky/ leary lurking lamented/ lovely lilacs and lily’ letting light in the lenses/ fire fanning ferocious/ fit and fighting the fiendish/ frying fish on a Friday/ feeling fine as I’m feasting/ final faded finales/ finish fizzle and freeze em/

Chorus
2x
You can keep the flash cash fly girls and their big ole ass/ don’t even ask for that no!/ I want the habitat where it happens at and if an ass that’s fat happens than that’s that so/ snake I throw the game I choke/ never aim high so/ the shots never graze by YO/ steady my pulse baby then I squeeze don’t pull/ steady my pulse baby then I squeeze don’t pull
You can keep the flash cash fly girls and their big ole ass/ don’t even ask for that no!/ I want the habitat where it happens at and if an ass that’s fat happens than that’s that so/
Classical kicking it with Wax and Goat/ O N E, Scum of the Earth we back that flow/ when Zilla and Saint Linked it was; scratch rap go/ it’s the big bad wolves out the tres five dos.

credits

from The Grendel: The Little Monster 1, released August 8, 2011
Production - Albert Love For SaintZilla Productions
Lyrics - John Sylvester For SaintZilla Productions
Engineering/Recording - Dave Melosh At Medusa Studios

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Saint Tellah Gainesville, Florida

SaintTellah is a battlin' emcee who freestyles, performs, and writes songs for you, from his perspective on the world.

He makes progressive hip hop, this ranges in flavor but is essentially rooted in: jazz, funk, classic rock, blues, and hip hop elements

SaintTellah often seeks producer's (beat makers) with different flavors in aural pleasure. He likes variety.

He hopes you like the music.
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